Paper Marbling

A little history and demonstration of the art.  My paints, gall and water thickening solution just arrived in the mail yesterday.  Next item of busineess:  get a rad red bandana.

Technology + Ancient Art = Awesome

Read the full article here, but the gist is, a music artist and a Turkish paper marble artist, having never met, put together a music video for the band's new song.


"Lucky Me" by Project Jenny, Project Jan from sammy rubin on Vimeo.

This is why technology and ancient arts can and should have a long and healthy marriage together. 

 

Manuscript Awesomeness

In this, the second to last semester of Grad School, I am taking a Medieval Manuscripts Class.  I know, it's totally awesome.  We basically study the construction, design, history, and context of manuscripts from the 6th century through the late middle ages.  It's like I've died and gone to heaven and someone is giving me school credit for it.

When Max and I were in New York I insisted that we go to the New York Public Library- twice actually.  I didn't know if they had any exhibits going on, but I thought it was worth a shot.  When we got pas security I looked up to find a sign that read

"Three Faiths: Judaism, Christianity, Islam.  Scriptorium This Way"

What?  A scriptorium?  (The scriptorium is the room where monk scribes copied manuscripts and did the illumination and decoration)  Turns out we had stumbled into an exhibit on the "founding religious manuscripts of the three Abrahamic faiths" complete with scriptorium.  I spent most of my time in the scriptorium watching videos about making ink and parchment and doing medieval calligraphy.  This little backlit table below was set up so people could trace calligraphy from the various languages involved in the exhibit.

These other pictures help illustrate the book making process.  The first pictures are bottles of pigment that were traditionally mixed with egg white (called tempera) or gum arabic to produce flowing inks and paints.  It looks awesome, but somehow I doubt that 6th century monks had hot pink ink.  They did have a surprising amount of colors at their disposal, but I don't think hot pink was one of them.  The color pigments come from things that occur in nature - trees, rocks, dirt, plants, rust, special kinds of fungus, etc.  There is a long soaking and grinding and sifting process that takes place before you get to this stage.   

This is a piece of parchment as it stretches on a frame.  But let's back up.  In preparation for my final on Wednesday, I'll just give you some of the juicy bookmaking details.  Parchment was used for "books" after things like clay, wax, or stone tablets.  You make parchment, which comes from the skin of an animal, by soaking the skin in a solution of lye, sometimes alum, sometimes oakgall (little knots on trees left over from insects) - there are a variety of things.  This helps the hair fall off.  Then you scrape the skin with a sharp knife, soak it again, scrape it again and then stretch it out to dry on a frame.  While on the frame you scrape it again, making sure to remove all of the hair.  Lastly, there is a kind of polishing done on the parchment by rubbing pumice or the flat side of knife over the skin.  It was also common to treat the parchment with something that would help ink stay put on the skin later in the bookmaking process.  By the end the very thin skin is folded, cut, marked and text is copied onto it.  

They also had a display about paper.  Paper is made by separating the fibers of an existing thing, a plant or a tree, or natural fibers like the ones below, by soaking it in water, beating the pulp to break fibers apart, running the sludge through a screen and then leaving the newly formed fibers to dry and bind into a new sheet of paper.  There was a little egg shaped burnisher made out of a rock that we could try and burnish the paper with to give it a better look.  Very hard stuff.  

Wow.  I've really nerded up the place.  I'll leave the other mysteries of bookbinding for another day.  But if you want to learn more about the exhibit and watch the awesome videos, you can follow the library's link.  NewYork Public Library: Three Faiths

Paper, Paper Everywhere and Everything Is Lovely

A few weeks ago my bookbinding teacher, who is an amazing artist of many stripes and shapes, did a paper marbling demonstration at his synagogue.  Saying it was very cool is a gigantic understatement.  I'm pretty much obsessed with paper marbling now and already have plans to add a paper marbling bath to my home studio (which only exists in my mind at this point).  In case you were wondering about paper marbling, enjoy the following:


A Little Bit of History: 
The beginnings of paper marbling come from Turkish/Islamic origins.  The Turks were really the masters and developed the process and some of the tools used today.  Marbling was developing in parts of India and Persia during the 17th-19th centuries as well, though Europe has perhaps the most commonly known association with paper marbling as they have been doing it since the 17th century.

Evidently, the first American money had marbling on it!  Thank you Benjamin Franklin. I haven't independently confirmed this, so if anyone knows anything about it I would love to learn. 

The Wikipedia page has some good info and some great examples. 


A Little Bit of Process:
You take a large bath of a mixture of things - water &special chemicals - and then you drip special paint mixed with oxgall (just what it sounds like - gall of an ox) into the mixture.

The paint stays on the surface and depending on a few factors (how much oxgall, the thickness of the paint, the consistency of the water/chemical solution) it will spread out.

Once the paint is applied, you take either a single needle looking tool, or a large rake tool that extends the width/length of the bath and rake patterns into the wet paint.  This was my favorite part and each time my teacher would rake the paint a new direction there were oooohhhs and aaahhhhs at the result.

Then you lay the paper carefully down on top of the paint, making sure there are no air bubbles, and after a few seconds you pull it away from the bath.  The paper has been treated with alum so the paint bonds to the paper immediately.  You rinse off any residue on the paper and let the awesomeness dry.
I am so obsessed I made a cheesecake this week and tried to marble the top of it with chocolate batter. The marbling turned out fantastic...the cheesecake, on the other hand, was not so fantastic.  

I bought a few marbled papers from a local artist at the demonstration and couldn't wait to make a wee little book with it.  I am making a sister book to send to Rick Steves in thanks for spreading his travel gospel.  Is that too stalker-ish?