I think I'll start sharing some of the funny/wonderful/puzzling things that happen to me at the library on a daily basis. Max has to put up with them all the time, so I thought I'd share the love.
Yesterday a little girl of about 9 came into the stacks on the second (nonfiction) floor and asked for help looking for some pretty grown up books about remarkable women in history. We talked for a while and she told me that her mom would only let her check out 6 books at a time and wasn't that so lame? I looked down at her and said "you are a little bookworm aren't you?" She immediately responded "Bookworms turn into Butterflies...it says so on one of my bookmarks." Is that so cute!
Wednesday, September 26, 2007
Book Review: The Kite Runner
The Kite Runner: Khaled Hosseini: Riverhead: General Fiction: 352
This aching exercise in redemption and self-knowledge centers around two young Afghan boys. Amir is the wealthy son of a prestigious man in Kabul and Hassan is his racially inferior servant. Though Amir has all the bounty that life has to offer, it is Hassan that has all of the courage and character of nobility. When Amir's cowardice stops him from intervening in a brutal attack on the ever innocent Hassan, the shame of the haunting memory permeates his whole life - even after he moves to America. Amir finally finds redemption when he travels back to war torn Afghanistan to face his demons and the characters from his past.
This book was as sad and epic as I wanted it to be, and then some. It did all of the standard "literary" things beautifully: Christ figure, mirroring characters, self discovery, the return home, issues of redemption and forgiveness etc... I thought the story was thought provoking and heartbreaking, not to mention an insightful view into modern Afghanistan. I guess what I liked the most about it was the idea that people have both parts to them; good and bad, and even the bad can "make it right again" as the book suggests - but it won't be easy.
This aching exercise in redemption and self-knowledge centers around two young Afghan boys. Amir is the wealthy son of a prestigious man in Kabul and Hassan is his racially inferior servant. Though Amir has all the bounty that life has to offer, it is Hassan that has all of the courage and character of nobility. When Amir's cowardice stops him from intervening in a brutal attack on the ever innocent Hassan, the shame of the haunting memory permeates his whole life - even after he moves to America. Amir finally finds redemption when he travels back to war torn Afghanistan to face his demons and the characters from his past.
This book was as sad and epic as I wanted it to be, and then some. It did all of the standard "literary" things beautifully: Christ figure, mirroring characters, self discovery, the return home, issues of redemption and forgiveness etc... I thought the story was thought provoking and heartbreaking, not to mention an insightful view into modern Afghanistan. I guess what I liked the most about it was the idea that people have both parts to them; good and bad, and even the bad can "make it right again" as the book suggests - but it won't be easy.
Split Me To The Core
THE MAYTREES: Annie Dillard: Harper Collins: 2007: Adult: 224
The narrative of this book follows sturdy and simple Lou who lives at the edge of the sea with her carpenter husband Maytree. Maytree is easily distracted and after 14 years of marriage moves away to
Simple, and seemingly callous in its plot, Dillard's "Maytrees" is anything but. Maybe it’s about the courage it requires to live a life of commitment, or the nuances of forgiveness...I'm not even sure. Either way, the language Dillard uses to describe the sea and this small cast of tragic characters is fresh and truly haunting. This is the first book I've read that was really too much for me: too beautiful, too sad, too poignant, and too otherworldly. It was unreal - in a good way.
Sunday, September 9, 2007
Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism:Daniel Lopez: Basic Books: 2000: Nonfiction: 270
Cute, Quaint, Hungry and Romantic: The Aesthetics of Consumerism:Daniel Lopez: Basic Books: 2000: Nonfiction: 270
In his book, Daniel Lopez doggedly "show(s) how the aesthetics of consumerism are the lies we tell ourselves to preserve our individuality even as we enjoy the luxuries of the mass market." Throughout reading this I couldn't help but feel paralyzed by any and everything I have ever been inclined to buy. Lopez sardonically examines almost every aesthetic that is used to sell us suckers things we don't really need: Cuteness, Zaniness, Deliciousness, and Quaintness to name a few.
This book was relentless in its cynical approach to consumerism. In most cases it was a lose-lose situation - you were trendy and shallow if you fell for the advertising tricks or pretentious and self righteous if you didn't. However, except for a few chapters of one rant too many, it was a fascinating read. In a chapter about food Lopez suggests that the can (as in canned food ) had the "same effect on the kitchen as television had on culture, leveling regional cuisine, internationalizing food, and producing a kind of dietary Esperanto in regions once dependent on meats and vegetables of local farmers." Well worth the wade through Lopez' wordy sentences and Ph. D language.
In his book, Daniel Lopez doggedly "show(s) how the aesthetics of consumerism are the lies we tell ourselves to preserve our individuality even as we enjoy the luxuries of the mass market." Throughout reading this I couldn't help but feel paralyzed by any and everything I have ever been inclined to buy. Lopez sardonically examines almost every aesthetic that is used to sell us suckers things we don't really need: Cuteness, Zaniness, Deliciousness, and Quaintness to name a few.
This book was relentless in its cynical approach to consumerism. In most cases it was a lose-lose situation - you were trendy and shallow if you fell for the advertising tricks or pretentious and self righteous if you didn't. However, except for a few chapters of one rant too many, it was a fascinating read. In a chapter about food Lopez suggests that the can (as in canned food ) had the "same effect on the kitchen as television had on culture, leveling regional cuisine, internationalizing food, and producing a kind of dietary Esperanto in regions once dependent on meats and vegetables of local farmers." Well worth the wade through Lopez' wordy sentences and Ph. D language.
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